Directed by Cole S. McKay (Star Hunter (1996), 3 Musketeers (2011)).
Written by Thunder Levin (Mutant Vampire Zombies from the ‘Hood! (2008), American Warship (2012)).
Starring: Jaz Martin, Hennely Jimenez, Darren Anthony Thomas, Paul Logan, AnnaMaria Demara, Tommy Nash, Janet Tracy Keijser and others.
So here’s The Asylum trying their luck in recreating the magic of the Fast & Furious series. Great, a bad knock-off of movies that I really don’t like in the first place.
A guy parks in a driveway and his brother comes out and says „it’s like an 80,000 dollar car”, no, please be more specific and then he proceeds to list exact specifics of the car. This happens a lot, if a character knows shit about cars, he better list some specs from Wikipedia. This doesn’t make the guys look cool at all, they seem more like nerds. They are less the guy with a greasy engine in his hand and more the guy telling you Star Trek trivia.
I don’t know shit about cars, so I relied on this movie to educate me. Now I know that I would be considered a cool person if my car could do „0 to 60 in 3.5 seconds”. I am willing to bet half of the shit they’re saying is total rubbish.
Ok, so finally we get to some racing. What’s going on? Why is it on fast forward? Oh, god, no, they sped up the footage. They could’ve put it in at normal speed and put like a little note to pop up on screen, that says „now use fast forward x2, because we didn’t know we were supposed to shoot at lower framerate”.
The characters are something. Our main guy is… well… uh, if you found Paul Walker bland, you haven’t seen this guy. His mother is a stripper, but you know who else is a stripper? His girlfriend. Yeah, talk about Oedipal syndrome, huh? At one point he walks into a strip-club and his mother just greets him topless and he’s like „geez, mom”, like it’s some kind of twisted sitcom called „Mom’s a Stripper!” There’s also this corrupt cop, spouting macho lines like „Did I stutter?” and homoerotic poetry like „No, this is me, the man with your balls in my hand!”, which sort of left me feeling unsure if it was meant as a metaphor. Then there’s a chick who does her best Michelle Rodriguez, which made me cringe. I like my Michelle Rodriguez done by Michelle Rodriguez.
No Asylum movie is complete without bad CGI, so here we get a CG car crash. So the main guy’s brother dies during a race and you know what? Boo-fucking-hoo, should I really feel sorry for an illegal street-racer dying? You go out at night and drive like a madman with you’re douchy sports-car, you’re kind of asking for it. The only reason why I felt a bit sorry, was because he was the only character, that I didn’t hate,
At one point a chick crashes her motorbike off-screen, does a roll on the ground and just keeps running. That’s some Catwoman trick right there. The car chases are at times pretty decent, but then they’re destroyed by some sped-up shots and cut-aways to CG-cars. I must also mention a scene, where the corrupt cop is chasing the main guy, suddenly there’s a CG helicopter after those two cars and it’s not even in the air, it’s like 10 meters of the ground and then it disappears and is never refered to.
This movie is shit, which I totally didn’t expect from a movie produced by The Asylum, directed by some stunt-man and written by a guy, who’s name is Thunder. Sounded like this is going to be some quality material.
Overall, this is one of the worst The Asylum movies I’ve seen, it has its over-the-top moments, that are unintentionally hilarious, but mostly it just drags. I hated it, not recommended.