Directed by Jackie Chan (The Fearless Hyena (1979), 1911 (2011)).
Written by Jackie Chan (Half A Loaf Of Kung Fu (1980)), Tin-Chi Lau (Knockabout (1979)), King Sang Tang (The Protector (1985)) and Lu Tung (The Invincible Armour (1977)).
Starring: Jackie Chan, Kien Shih, Pai Wei, Lily Li, Biao Yuen, Feng Feng, Feng Tien, Ing-Sik Whang and others.
The second movie Chan directed starts out a bit differently. He is a member of some school, but he’s neither the worst or the best student, he’s just there, so if you didn’t know who Chan is, you might spend almost half an hour not knowing he’s the protagonist. His school participates in some puppet dragon dance/fight competition, which is cool and you better enjoy it, because there’s a long time before another fight scene takes place.
But the wait is rewarded by one of the best fight scenes of Chan’s career. It’s a fight, where Jackie is wielding a huge-ass fan. Filming the fight allegedly took 329 takes to complete it. That is a lot. Oh, and don’t worry, after this, there’s not 5 minutes without another fight scene.
On this movie Chan seems to have discovered some zoom lenses or something, because he does that cheesy trick of zooming in and out of character faces for dramatic effect, it works about once and then gets funny and then just irritating.
There’s a scene where Chan fights a group of police-men wielding swords and one of them is a cross-eyed idiot. Now I really have to wonder why do Asians find cross-eyedness so funny and connect it with stupidity? Because almost every Asian-comedy of this time period had at least one cross-eyed and dumb guy.
The movie starts out serious, but it fluently transforms into a way more comedic movie, this is followed by Chan’s character’s intelligence decreasing as well. You could call it inconsistency of tone, though. Fight scenes also get sillier, besides the fan-fight, there’s this character, who carries around a bench, which he uses to kick-ass. Then there is a scene where Chan uses a pipe to fight of a guy, who is very careful not to break it, since it’s signed by imperator. Then he fights dressed as an old man, old man disguise is soon abandoned for a skirt, which he uses as a matador. It’s crazy.
Oddly here, Chan needs no training montages, he’s a master fighter from the beginning. The last fight is cool from a technical standpoint and is considered the longest fight scene in any martial arts movie, it’s also the problem with it, it’s too long. Which is weird that they left so much of it, when they had to cut down the movie so much. They cut a 3-hour movie to 100 minutes, so, I guess, it’s not surprising that the plot itself doesn’t make much sense.
Overall, it’s a pretty decent one, has some great fight scenes, but other than that, at this point it seems like Chan keeps going over an all too familiar territory and he does it a couple of times more until moving on to more interesting projects. Recommended for Chan fans.